#i was rooting for you we were all rooting for you!!!!!

[ratatattouille]

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

-Vi and Vander: Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends (do you remember how protective she was of Ekko aside from her adopted brothers?) and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She cared for Zaun like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters). Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. The whole reason Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Hemmerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

-Vi and Caitlyn: Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover. The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't entirely wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has never fit into Piltover (and that's also shown in Season 2 act 1-2).

-Vi and Jinx: This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for Zaun, she just wants to take Silco's (and her own) creation--Jinx--out of the equation so it can work. The only reason she agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to get Powder back, while Cait wants to kill Jinx to get her city (mother) back. The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers (and it's already insane that Vi would even agree lmao) is ignored a lot by fandom, especially bc her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx. Every single step of the way. This is barely acknowledged, and every time it might be, it gets shoved aside for romance with Cait. Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child. (ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Where the writers FUMBLE is:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for a more *ahem* American industrial military complex epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes

-Vi herself takes a back seat in most of season 2, and becomes a passive yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). The only reason it was kept was because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

-Viktor and Heimmerdinger: This is one of the biggest fumbles, IMO. Heimmerdinger and Viktor were the most polar of opposites. Heimmerdinger was not only a privileged, ulta-wealthy Piltoverian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

-Viktor and Singed: Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution." While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. Then Jayce blasts him in the chest and that all goes out the window. All this despite Sky being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (despite the fact that his character was one that was consistently willing to sacrifice himself and die in order to not harm others, and Sky's death only solidified that). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator, lmao. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Sure.

-Viktor and Jayce: Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore. Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVERIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them. Children dying of disease and violence in The Lanes was by Piltoverian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell! And don't even get me STARTED on Jayce's trip to other-world hell being some kind of "Jayce seeing the world through Viktor's eyes" bs. Yes, it was good that our idealistic Jayce got to see the dark side of the Arcane as Viktor showed Jayce the beauty of the dream he sought for all people, but whatever message on class struggle Jayce is said to have learned or paralleled in his alternate timeline clearly didn't sink into his head because he still gave that dumbass speech to Viktor. And I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment. Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

Where season 2 FUMBLED:

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her "you guys hunt us down like animals"). Cait knew the humanity of Zaunites was real. She'd seen it. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes.

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. Idc if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

-Jinx and Isha: Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% idc. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Vi still refuses to acknowledge her own hand in creating Jinx in the first place. Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter. To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together, but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Vi had to acknowledge how wrong she was for abandoning Jinx and Zaun (instead of taking responsibility as Vander had taught her). Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others.

-Jinx and Ekko: Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others). Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimmerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. Jinx just doesn't have the same faith in her ability to do so as Ekko does, but Ekko manages to convince her for a moment anyways. Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

-Jinx and Silco: This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose and nurtured her talent (one that Vi and their brothers scorned). Silco accepted Jinx (he did not create her, Vi did) even though he weaponized her (which backfired for him). Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

Fumbling points summarized:

-Jinx not being radicalized by Isha's death and the sight of her sister hunting her down with enforcers.

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltoverians instead of herself, which needed to happen to complete her arc.

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Silco's dream (and by extension death) should have been the point of the show, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun (and Silco) gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

-The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

I could go into how the show fumbled Mel, Ekko, Sevika, Jayce and more, but I think they still fare better than the ones I've talked about here. Caitivi has now (narratively) become distasteful, jayvik a joke, and timebomb unnecessary misery porn with little to no reward for all their efforts.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

HUGE EDIT:

I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

that being said, i think my criticism warrants some criticism as well, and i feel like it would be disingenuous to just edit the post (let it be seen in all its imperfect glory lmao).

so here's my criticism of my criticism:

-Vi and Jinx: Vi did not create Jinx. Well, I mean, not entirely. And Silco did not merely weaponize her. Granted, it is Vi who slaps little Powder across the face and shouts "You're a jinx!" but Vi is also just a child, and would have gone back for Jinx had she not been apprehended by that asshole also known as Marcus. THAT BEING SAID, Vi still feels a measure of guilt for her reaction (and that's not unjustified), and as Vander's daughter, she would still not stand for the Caitlyn S2 BS and would still default to Jinx much faster than she does (because she's all about family, and Jinx is the only family she has left.) Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. It's still too far, lmao. Also, Vi's motivation to team up with Cait had more to do with getting revenge on Silco than restoring peace to Zaun, and I didn't mention that at all.

-Jinx and Silco: This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it. As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life.

-BACK TO MY MAIN POINT: If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

This is where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[carneliancorax]

"I am no longer so alone in the world, for this afternoon, as I was wandering the mountains a safe distance from the village where I planned to covertly acquire supplies when darkness fell, I came across a young man seated upon a twisted tree root. He was writing in a small book, so deeply absorbed in this activity that I was able to creep quietly up to him from behind until I came close enough to distinguish the markings he made on the page. For a moment I was disappointed that I could not comprehend the symbols he so carefully penned, and then curiosity overwhelmed me. Not expecting any answer but a cry of terror like those that still rung in my ears at night, I asked him, 'What are you writing?'

"He startled but a little and as he turned around to look at me, my heart filled with dread.

" 'I do apologize,' the man said in German, responding to my query in the language that I asked it. He continued with somewhat clumsy syntax. 'How rude of me! I didn't notice you were there.'

"This man is the first person who has not reacted to the sight of me in fright or violence. He even gave me his name, and asked mine, though I have none to give. He explained to me that this was his journal, which he was writing in a sort of code called shorthand, which greatly shortens the time taken to from each word on the page. What an ingenious thing! I asked many questions and Jonathan answered them all in satisfactory detail, as though he actually enjoyed our conversation.

"As we talked the light faded, taking with it what meagre warmth reaches these mountains during the day.

" 'It has been such a pleasure to talk with you," said Jonathan, rising at last from the tree where we'd been sitting side by side. 'Shall we return to the village? You are from the village, are you not?'

" 'No.' I touched one of the scars on my fingers and winced though it did not hurt. 'They... would not be kind to me there.'

"Jonathan's brow furrowed. 'Then where do you live? They tell me it's many miles to the next village.'

" 'I live here,' I said. 'I live nowhere.'

" 'My goodness.' He looked distressed. 'All alone? That's no way to live!' After a moment his expression cleared, and he offered a hand to help me stand. 'Tomorrow morning I leave here on my way to call on a count for some business of his. You are clearly an intelligent man, and I would be sad never to speak to you again. How would you like to come with me?'

"I write this now in my best attempt at the shorthand Jonathan showed me. In the morning, once his carriage is out of sight of the village, I will join him and hope he will teach it to me so I can write it as neatly as he does.

"Perhaps I am not so irredeemably disgusting if such a kind and earnest man as he wishes for my company."

now that i think about it, jonathan harker would’ve been a great character in frankenstein. he’s so completely oblivious to dracula’s red flag parade that he’d probably completely avert the creature’s murderous rampage by accidentally befriending him after spending a page and a half writing about some weirdly tall homeless guy with daddy issues he ran into

[demonic0angel]

Inmate Dan part 2 where he meets the other orange jumpsuit "friends" in Arkham Asylum?

Part 1

"Ooh, Wraith!" Harley called, pointing to Jonathan. "That's Scarecrow! We call 'em Johnny!"

"No, you don't," he spat. "What're you doing here, Harley?"

"That's Dr. Quinzel to you, Dr. Crane!" Harley said faux-pompously, sticking out her tongue.

Wraith paused and his eyes lit up. "Wait, Dr. Quinzel? Youngest psychiatrist in the tri-state area? And Dr. Crane? Professor at Gotham University?"

Ivy leaned closer to Wraith and hissed a warning, "Stay away from him. He once drove two inmates to suicide only by speaking. He's dangerous."

Wraith grinned and his teeth flashed with fangs as he stared at Jonathan with interest. "Hello, Doctor," Wraith said, his deep voice almost a purr, "Could I get an autograph, please?”

Jonathan stared at him cooly and then he nodded once, although he looked slightly confused.

Wraith slipped a hand inside of himself, making everyone around him pause in shock as he then pulled out a textbook and a pen. He handed it to Jonathan, who stared at the textbook with a strange look before signing it. As Wraith placed it back inside of himself, he pulled out another book and let Harley sign it.

Delightedly, she realized that it was a book that she published.

“You’re a meta,” Jonathan said. “You seem powerful, so why didn’t you escape? How come you were captured?”

Wraith shrugged with a light smile. “My sister told me to relax and enjoy myself here. She also told me to explore what I want. I heard that there was a particularly hated criminal in here, so I wanted to see what the fuss was all about, so I let myself be captured.” He sighed a little. “My little birdie also personally handcuffed me, so I couldn’t get out.”

Harley tilted her head, catching onto a piece of information. “Who was it that you were interested in?”

“Someone named Clown? Jester? No, it was….”

“Joker,” everyone besides Wraith muttered disdainfully. They were all criminals who did violent things, but no one was as vile as the Joker.

Wraith hummed and nodded. “Yes, him. I wanted to see what he looked like. Thank you for signing the book, Dr. Quinzel, Dr. Crane. My sister is a huge fan and she’s studying psychiatry right now.”

Both Jonathan and Harley smiled. “That’s good!” Harley squealed. “Tell her that I’m rooting for her!”

Wraith nodded with a small, genuine smile, and Harley then dragged him around to introduce him to the other inmates, Ivy following behind as a silent guard.

He was surprisingly civil. Wraith treated Waylon with no fear or disgust despite his appearance, chatted calmly about law with Harvey (since his sister also studied law. She seemed to be a sort of genius), exchanged riddles and puzzles with Edwin, and was generally pleasant and even friendly to the other inmates.

However, he couldn’t hide his true nature to Harley. Wraith didn't allow anyone to touch him unless he initiated it. Although he seemed calm and collected, he was unable to hide his disgust and hatred of the general population. It seemed as though in general, he hated everyone around him. He had no fear of the guards and even seemed amused by the more frightening prisoners of Arkham Asylum. Although he was polite, it was clear that he hated them all, even Harley and Ivy.

Harley was utterly fascinated.

Eventually, after exploring the yard where the many inmates were lingering around, Wraith asked, “Where’s the Joker?”

Ivy answered, “He’s in solitude. He’s too dangerous to be around.”

Wraith frowned. “Where’s that?”

Harley giggled and said, “You wanna see him that badly? Maybe I’ll show you!” She wanted to see more of Wraith’s reactions, to study him like a bug. She also wanted to see what it would take to make Wraith enjoy her and Ivy’s presences.

“Harley!” Ivy scolded. “I don’t want you around him anymore! He’s a hazard to your safety and health!”

“It’s fineeee,” Harley said, dancing around her playfully, “I can take it! I just wanna show Wraith what he looks like! I promise not to fall for Mr. J anymore! Pleaseee, Ivy?”

In the end, Ivy relented and they snuck to the area of the asylum where the Joker stayed.

They dodged past the lazy guards and eventually, they were in front of the Joker’s cell. Harley stepped in front of his cage, suppressing a shiver as she looked inside.

There he was, her worst nightmare, wrapped up in a straitjacket and already watching her with a cold, cold gaze and a wide smile.

Why had she done this again?

The Joker laughed when she saw her. “Harley!” He crooned. “Here to release me? I knew you’d come around.”

This time, Harley couldn’t suppress the full shudder. “No thanks!” She snapped. “I’m not your lil doll anymore! You can’t order me around!”

The Joker’s friendly expression immediately twisted into a glare as he snarled. “I made you! And I can break you. You’re nothing but a harlequin, a toy for me to do what I want with! You’re nothing without me!”

Ivy bristled and she moved to pull back Harley, who was almost in tears, when Wraith moved first. He phased through the metal doors and with one casual click of bones breaking, the Joker laid slumped into his cell, quieted forever.

Wraith stepped back out and both Ivy and Harley scrambled to look back inside, recognizing the sound of a neck snapping, but unable to comprehend how easily it took.

Harley sputtered, “W-W-What?!”

Wraith shrugged.

“He was annoying. And I hate clowns.”

[beuxwhoyouare]

Raised You Better

My son Jasper was a good kid. He was a star soccer player in school and got a scholarship to play in college, so I only saw him on holidays. I missed him so much and looked forward to our quarterly reunions.

Well that was until his most recent visit. He was being so distant and when I finally inquired why he was acting differently, he finally admitted he actually dropped out to pursue being a personal trainer.

I was shocked. He's always been a model child and did all me and my husband expected of him. Maybe it was all our time away working? Maybe I should've been home more instead of being at the lab. It felt like a punch in the gut. I mean sure he knew what he was doing thanks to all his time training for soccer but that's not a way to build a life?

My husband and I did it right. We met in college and supported each other through our advanced degrees and worked our way up in an international pharmaceutical company. Personal training is just so...surface level. He's supposed to be better than us. That's what you want for your children. No no no this is no good. I'll have to set him on the right path.

I knew of a special program at work that was rooted in natural medicine and meditation with a mad science twist. I set up Jasper with the "Sports Nutrition" department at work but it was actually our new experiment. It looked like a TENS muscle stimulator on crack. Several wires shot out of a relatively large dark grey box with a screen and several sliders on one side. I sat connected on the other side of the wall connected with the pads all over the top of my head. All I had to do was wait for Jasper to get hooked up. We sold it to him as a scientific way to curb cravings for sweets and unhealthy things, like an ozempic shot for the brain. In reality, I was told that the machine would take positive attributes from one source and strengthen them in the weaker mind.

I saw the lights flicker and anticipated that he had already been hooked up to the machine. I just laid back and rested while focusing on the importance of getting a quality education. Eventually, I must have dozed off because when I opened my eyes again it was all so groggy. But I was sitting facing the opposite direction. I lifted my arms to wipe my eyes and gasped when I looked down. My boobs were gone and replaced with sizable mounds of muscle escaping a tiny white tank top. My arms and thick thighs now filled with tattoos....no?! This isn't supposed to be how it works

I told the lab techs who I am and that I was actually Meredith. They both looked at each other spooked but judiciously jotting down notes. After answering a few security questions, they agreed to believe that I was indeed not Jasper and it must be an unforseen side effect from the treatment.

That's when they explained the problem....When my body woke up, it also said it was Meredith. Could the experiment have basically overwritten the memory of my son with my own? I felt like I basically killed my own child. Grief swept over me. But then so did a bravado, a confidence, a giddiness? The two lab techs handed me a towel as they shyly avoided looking down at a tent forming in my shorts. Oh I guess the excitement led to a physical response.

In theory I get it as a scientist. I did in fact instill positive traits on my son. Granted, that also erased him seemingly. But also it's a chance at a new life full of new experiences. I'm a man now. And what a man indeed. I walked into the shower facility at the lab. I took off the outfit Jasper donned to the lab, if I was still a woman it'd be called skimpy and slutty. Tiny shorts with underwear built in and a virtually see through tank top. In two swift moves, I had taken everything off. I had seen my son naked as a child but this is different. He looked so much like his father....well I guess I looked so much like MY dad now. His genetics graced me well as I placed one hand on my pecs and another on my new dick. I squeezed both recoiling from the newfound pleasure. This was wrong right? Like I shouldn't be doing this....I felt disgusted with myself. No. This is for the betterment of Jasper's life. I'm going to let go of my past life....I'm Jasper now.

And what a life it will be. Years of playing sport and training, whew. I wasn't going to let him throw it away, I'll let it be a side job, maybe I'll own a business with a bunch of trainers under me but I won't be hustling like that. Not yet. I gotta learn the new me. I used my hands to trace the curves of each new tattoo, then moved on to each muscle. I poked and prodded before squeezing, then I remembered I had business to attend to. I took one hand and gently took hold of the warm fleshy rod under the steamy water pulsing down onto me. I pumped back and forth for a few minutes. Jasper was not sensitive at all...I shoved aside my reservations and gripped myself firmer and began jerking harder and faster. Eventually I introduced my other hand....oh he was girthy in the best way. I mean I am thick in the best ways. Harder and faster, it felt like I was floating outside of myself as my muscles took over almost like autopilot.

The steam radiated off my new musculature when it felt like I saw a flash of light. Shot after shot came out of my new rod. The lab walls had likely never seen a show like this but I was happy to christen them. The autopilot kinky thoughts continued to take over my new mind and body. I squatted down an licked the nearest wall as my cum dripped down. I knew Jasper was queer but I didn't know how he would respond to this kind of kink. I think he was a little freak because there was not one single butterfly in my stomach from this action. I quickly toweled off and headed to my apartment. I figured "Meredith" could find her way home.

The apartment smelled like a young male in college. A musk twirled around sweat and strong cologne. Foreign to me, but familiar to my new body. I couldn't control myself and ripped my clothes off...literally. My strength made it obscenely easy to tear them off in ways they weren't intended to. I wanted to try on all my new clothes. This body made everything look good.

My phone buzzed. It was one of "my" bros asking if I was coming down to the shoot. I played it off like I forgot and asked him to send me the "deets" again.

I threw on the nearest random shirt and bottoms and made my way to the warehouse address given. I guess "I" had agreed to help with the photoshoot to launch "our" new clothing line. A nearby table had Jasper's name on it and I quickly assumed the position taking off all my clothes and putting the skimpy clothing on. I channeled my new swagger as my bros began taking pics.

Oh I think I'm gonna like this. Hopefully I can find a cute twink or something soon. I really wanna put these thighs to work plowing someone's son or two.

[transmisogyny-explained]

[Image Text 1: “I wish to reiterate her message, grim though it may be: There is no salvation awaiting us in a glorified past that does not exist. If we are to advocate for our humanity, our legibility, and our liberty, it will be as a part of something new, something unprecedented, something we do not as yet have names for. You do not want the ‘veneration’ that the holy men of my culture reserve for us.” /End Image Text 1]

[Image Text 2: “Most reprehensible, however, are the attempts to paint any desires for solidarity between hijras and transsexuals as ‘Western imperialism’, or to enshrine their degendering as a valiant ‘decolonial’ effort to preserve non-Western cultures in all their bloodstained glory. As a disowned daughter of this culture, I wish to state in no uncertain terms:

“If a culture’s preservation depends on the violation and degendering of and denial of dignity to my sisters, then it should join every other extant regime that thrives on injustice, upon the ash-heap.” /End Image Text 2]

[Image Text 3: “...marginalization. Sex is not quite as binary as advertised, because the heterosexual regime has always regarded people as one of human, broodmare, or freak. If you are not a person with autonomy, then you are a vessel for those who are … and if you cannot even be that, then you are a waste of flesh, something to be fucked, killed, or both.

“The butch derided and beaten as a delusional ‘he-she’, the tranny who can be endlessly violated, and even the woman who merely refuses to have children, are bound by this commonality. If we cannot participate in reproduction, we must be fixed … or disposed of.”

[Image Text 4: “On that note, we ought to touch upon one of the most sinister omissions regarding this book, tucked away in endnotes on page 166. In the fourth numbered endnote there, Nanda suggests a slew of texts critiquing the ‘cultural construction of transsexualism by the medical and mental health professions’. Among them is Raymond (1979)—The Transsexual Empire.

“The foundational text of anthropological third-sexing of the hijra affirmatively cites the most famous transmisogynist in existence, laundering her bilious, fervent hatred of transsexuals into the annals of the queer academy.” /End Image Text 4]

[Image Text 5: “The Enlightened West, in all its wisdom, already has a Third Sex: the tranny.” /Image Text 5]

[Image Text 6: “(Trans)misogyny is not a cultural value worth preserving. The development of a cross-cultural transsexual and transfeminist consciousness, rooted in the recognition of how our identities and struggles are similarly shaped, is not imperialism. It is a struggle for liberation, one that queer academia is heinously eager to oppose, and one whose proponents shall no longer be spoken over.” /End Image Text 6]

[Image Text 7: “...reverted to appease that selfsame elite). I do not know how to explain to learned academics that sexual objectification and reproductive exploitation were not innovations that the West pioneered, nor do I know how to explain that historical record of ‘asceticism’, of hijra being prescribed a livelihood of begging for alms at ceremonies, is not ‘reverence’ or an ‘institutionalized gender-role’, but marginalization.” /End Image 7]

[Image Text 8: “#oh i didn’t realise this was a recent post.. read it like yesterday when someone linked it elsewhere #gotta say as another desi tgirl. thank you so much for writing this #i was vaguely aware of most of what was touched but i didn’t really the origins of most of it or how to discuss a lot of it #proceeded to go through the rest of your theory [on transmisogyny and lesbophobia] #your writing is wonderfully lucid and i love how you present concepts #the prose feels fantastic to try digest; even if a but dense for me at times #saved” /End Image Text 8]

[Image Text 9: “#as i read i started thinking the author being critiqued sounded more like ‘being nb is more queer than being binary trans: terf edition’ #and then BAM turns out she cited the terf bible just to remove all doubt #misogyny #and transmisogyny but mostly misogyny (in the form of ‘women who can’t bear children are worthless and that’s what transfems are ergo…’)” /End Image Text 9]

The Third Sex

After months of research and painstakingly connecting the threads of transmisogyny theory, queer activism, and field-wide epistemic injustice, I would like to present "The Third Sex": my treatise on a third-world transfeminism.

[grantmentis]

PWHL 2024-2025 Primer

It's that time of year again folks. PWHL starts on November 30th.

The sections of this primer are: What is the PWHL, Where can I watch, Rules/League Structure, Official league pages, journalists to follow, and an introduction to each team (what they did last year, who's on the team, notable players, you should root for them if you..)

What is the PWHL?

The Professional Women's Hockey League was created in 2023 and launched in January 2024. It is currently the sole professional women's hockey league in North America.

Heading into the 2024-2025 season, the PWHL has six teams: The Toronto Sceptres, Boston Fleet, Minnesota Frost, New York Sires, Montréal Victoire, and Ottawa Charge. Each team plays 30 regular season games per team. You can find the full season schedule here.

Where can I watch?

Disclaimer; We don't have an official 100% confirmation on the American and non-North American ones yet, just reports from journalists who I do deem trustworthy. I will edit any changes and highlight them in bold if necessary.

On Television/Streaming

Canadian fans will have games on TSN and its affiliates (such as TSN+) primarily, with select games on CBC and Prime video.

French broadcasts of Montreal games can be found on RDS (18), Radio-Canada (6) on ICI TÉLÉ and ICI TOU.TV

Full streaming/television schedule for Canada

All fans not in Canada are available to stream on the PWHL Youtube regardless of location (so if you're "in market" there's no black outs like there is NHL games)

Last year regional games were held on: Bally Sports North in Minnesota, NESN/NESN+ in Boston, MSG/MSG+ in New York, Sportnet Pittsburgh has carried select games. Not 100% confirmed this will be the case last year. Even if your regional sports network carries it, however, you should be able to access it on Youtube in America

In Person

Toronto and New York (sort of) have new locations this year

Toronto Scepters play at Coca-Cola Coliseum

Ottawa Charge play at TD Place

Montréal Victoire play at Place Bell

Boston Fleet play at Tsongas Center (Lowell, MA)

Minnesota Frost play at Xcel Energy Center

New York Sirens will play at Prudential Center (Newark, NJ)

There are also many neutral site games this year including Detroit, Quebec City, Raleigh, Vancouver, Denver, Buffalo, St. Louis, and Seattle that you can read about here

What are the rules? The League Structures?

Who makes the playoffs and what do they look like?

Please keep in mind that with such a young league, it's possible this will be tinkered with.

Each game is worth three points: 3 for a regulation win, 2 for an overtime win, and 1 for an overtime loss

Last year, the PWHL had 4 of the 6 teams make the playoffs. The number one seed got to choose their opponent between the third and fourth seed.

All series were best of five series, the two semi finals and then the finals.

Rules

If you are an NHL fan looking to jump in, here are the differences in the PWHL. The rulebook is also here.

Bodychecking is allowed in the PWHL, so long as it is done in an attempt to play the puck or gain possession. While women's hockey has always been physical, bodychecking at this level is fairly new, the SDHL in Sweden started to allow it just in 2021 and then the PWHL last year, so refs and players are adjusting in how they're going to draw the line between legal and illegal. This is also not the case in international competition, so it is a little different than the olympics or worlds if you are used to watching those.

The PWHL has a "jailbreak rule" which means that if you are shorthanded and score, the penalty ends.

In shootouts, a player can go as many times as they'd like.

New this year is the "No Escape" rule where players of a penalized team are required to stay on the ice to start the penalty kill.

Coaches can challenge delay of game puck over glass penalties.

Hits to the head, headbutting, and grabbing an opponents helmet strap, throat protector, or hair is an automatic major penalty and game misconduct.

What are the official social media pages? Who are good people to follow?

Official league pages:

PWHL: Instagram / Twitter / Tiktok / Youtube / Website

There's also a unofficial bluesky bot that re-posts all of the PWHL X content

Sceptres: Instagram / Twitter / Tiktok / Youtube / Website

Fleet: Instagram / Twitter / Tiktok / Youtube / Website

Victoire: Instagram / Twitter / Tiktok / Youtube / Website

Frost: Instagram / Twitter / Tiktok / Youtube / Website

Sirens: Instagram / Twitter / Tiktok / Youtube / Website

Charge: Instagram / Twitter / Tiktok / Youtube / Website

News and Journalists:

This is not a comprehensive list, just a starter pack! feel free to add any recommendations in the comments.

Kyle Cushman: Works for the score, covers the whole league (as well as some nhl), keeps public statistical information. The Score author page / Twitter / Bluesky

The Ice Garden: Long time women's hockey publication. I'd also recommend going through their contributor/author page and following them individually! Website / Twitter / Bluesky

Hailey Salvian: Long time reporter for the Athletic for women's hockey Twitter

Kenzie Lalonde: TSN reporter based in Montreal covering PWHL among others, also does play by play Twitter

Rick Menning: Local reporter for the Sirens Twitter

Kelsea Durham: Local reporter for the Boston Fleet for Inside the Rink Linktree

Christine Roger: French-Canadian reporter, who posts in French, mainly about Montreal Twitter

PWHL Report: Content aggregator for if you don't want to follow a bunch individually and really the only one i've seen post stuff to Instagram Twitter / Instagram

Who are the Boston Fleet?

The Boston Fleet were last years runner up in the league.

Their roster can be viewed here, with updates to be expected in the next few days as training camp cuts and contract being signed, the waiver period starting for teams to sign players that got cut from other teams training camps, and final rosters are made.

Notable players: Hilary Knight (captain), Aerin Frankel (Star goalie), Alina Müller (Swiss hockey star), Hannah Bilka (first round pick this last draft.)

You should root for this team if: You like defense-first hockey, strong New England college hockey connections, rooting for the youngest ice hockey player to win an olympic medal (Alina Müller), a player who got a custom outfit for pride night (Jamie Lee Rattray), Jewish hockey icons (Aerin Fankel), and players who are also podcasters and make a lot of tiktoks (Lexi Adzija and Taylor Girard)

Who are the Montréal Victoire?

The Montréal Victoire finished second in the standings last year, where

Live roster viewable here with expected updates the next few days

Notable players: Marie Philip-Poulin, Laura Stacey, Erin Ambrose, Ann-Renée Desbiens (all four are long time Team Canada legends), Lina Ljungblom (young Swedish superstar), Mikyla Grant Mentis and Kennedy Marchmand (both former PHF MVPs)

You should root for this team if: You love two way defensive minded centers, rooting for the league favorite, star players who are married to each other (Poulin and Stacey), short defenders (5'1 Amanda Boulier and 5'2 Cayla Barnes), post game victory dances, I dont even know how to describe this but heres grant mentis and Lásková watching golf i have to put it here

Who are the Toronto Sceptres?

The Sceptres were the first place team in the PWHL last year.

Roster here, once again will change this week

Notable players: Natalie Spooner (league MVP and long time team Canada player), Sarah Nurse (Olympic record holder for points and top scorer), Julia Gosling (first round pick), CJ Jackson (backup goaltender, social media darling, and LGBT activist), Renata Fast (top defender for both PWHL and Team Canada)

You should root for this team if you: love all the Team Canada players who grew up outside Quebec and also the coaches (all but three players are Canadian and many have played internationally for Canada, the coaching/management also largely from team canada and shares stylistic similarities), are interested in Nursey Nights (Sarah Nurse's collaboration with Black Girl Hockey Club during Toronto Sceptres games!), want to root for the other league favorites, love noted pancake enthusiasts (Kali Flanagan), or if you're more on the savory side, love a hot dog enthusiast (CJ)

Who are the Ottawa Charge?

The Ottawa Charge finished fifth in the league last season

Roster here with updates to come

Notable players: Brianne Jenner (team Canada and captain of Ottawa), Emily Clark (top scorer), Kateřina Mrázová (top scorer and Czech national team icon), Danielle Serdachny (second overall pick), Ronja Savolainen (Finnish national team mainstay and SDHL icon)

You should root for this team if you: Have an interest in Czech players (Mrázová, Vanišová, Tejralová), you like podcasting players (but gay this time), enjoy a team that regularly updates their youtube channel and does a fan fest and has some of the best player created content, like a team that is not afraid to make bold roster moves

Who are the Minnesota Frost?

The Minnesota Frost are your inaugural PWHL champions!

Here is a live, updating roster

Notable players: Kendall Coyne (Captain, Team USA), Taylor Heise (last years #1 overall pick and one of the leagues scorer), Grace Zumwinkle (also a top scorer), Nicole Hensley (star goalie and also Team USA starting goaltender typically), Michela Cava (extensive experience as top player in PHF, SDHL, and Russia.)

You should root for this team if you: Have a lot of midwest pride and like teams in the WCHA, value speed when watching hockey, like players with unconventional paths to stardom (Hensley, who played at Lindenwood in college and made team USA only after college finished), want to root for the ultimate playoff sicko (Michela Cava, who has 4 championships across four leagues, two finals MVPs, and is over a point per game combining all playoffs), like franchise cornerstones who are besties and call each other 'the dog to their cat" and vice versa (Heise and Zumwinkle)

Who are the New York Sirens?

The New York Sirens finished last in the PWHL last year

Roster with updates to come

Notable players: Abby Roque, Alex Carpenter (both team usa and PWHL top scorers), Corinne Schroeder (had the best goaltending season in PHF history in 2023 and followed it up by having one of the best PWHL seasons despite a tough workload), Sarah Fillier (first overall pick this year, team Canada star), Maja Nylén Persson (round two pick, SDHL best defender of the year last year, team Sweden's #1 defender), Noora Tulus (finnish national team star and one of the best SDHL players of all time.)

You should root for this team if you: want to see a team really build itself up from the ground floor, as theres a lot of roster turnover this year and a new coaching staff, with a lot of exciting draftees. like a team that has a little more physicality/grit. want to maximize the number of crossovers with other professional sports teams possible, like the nickname pizza rats. Want to enjoy some of the best mic'd up content (Roque)

[allthemeniveloved]

Cradle

Summary: Arthur Morgan cares for his newborn daughter, reflecting on his past mistakes and vowing to protect his family at all costs.

wc: 1,681

ao3 link

a/n: Literally cannot get enough of hot father Arthur Morgan/John Marston right now. I'm ovulating.

The storm rolled in fast, the low rumble of thunder following Arthur Morgan as he urged his horse forward, the reins tight in his hands. His heart was pounding—not from the gallop of the horse beneath him, but from the fear gnawing at his chest. He had been gone longer than he should’ve been, out scouting for supplies, and now he was racing the clock. Racing fate.

And racing to you.

The moment Charles had found him in camp, breathless and shouting about how you were in labor, Arthur felt the air rush out of his lungs. He hadn’t said a word, just mounted his horse and took off like a bullet, the world blurring around him. All he could think of was you—your face, your voice, and the child you were bringing into this wild, dangerous world.

The cabin came into view, nestled in a clearing just as the rain began to pour. Arthur pulled his horse to a stop, leaping from the saddle before the animal had fully stopped. His boots hit the muddy ground, splattering his pants, but he didn’t care. The soft glow of the lantern in the window was his beacon.

"Did I miss it?" he calls out to whomever could hear, fear laced in his voice.

“Arthur!” Abigail’s voice called from the doorway as she stepped outside, shielding her face from the rain. “You’re just in time!”

He pushed past her with a muttered “thanks,” his heart pounding as he crossed the threshold into the small cabin. It was warm inside, the air thick with the scent of herbs and something sharp, almost metallic. The midwife—a kind-faced older woman who had been passing through camp—was kneeling by the bed where you lay.

You. His heart nearly stopped when he saw you, your face pale and damp with sweat, your hair sticking to your forehead. You looked exhausted, your body trembling as you gripped the sheets beneath you, but your eyes snapped to him the moment he entered the room.

“Arthur,” you whispered, relief flooding your voice. “You made it.”

He crossed the room in a heartbeat, dropping to his knees beside you and taking your hand in his. His calloused fingers enveloped yours, rough but steady, grounding you as you held on for dear life.

“‘Course I made it,” he said, his voice thick with emotion. “Wouldn’t miss this for the world.”

“You almost did,” you teased weakly, though your grip on his hand tightened as another contraction wracked your body. Your face twisted in pain, and Arthur’s heart ached in a way he’d never known before. He wished he could take it from you, bear it himself, but all he could do was be there.

“Breathe, sweetheart,” he murmured, his voice low and soothing. “I’m here. I got you.”

You nodded, tears slipping from the corners of your eyes as you did as he said. He pressed a kiss to your knuckles, his thumb brushing over your skin in a gesture that spoke louder than words. He was here. He wasn’t going anywhere.

Time became a blur after that. The midwife gave instructions, Abigail hovered nearby with clean cloths, and Arthur stayed rooted by your side, his hand never leaving yours. He whispered words of encouragement, reassurances that you could do this, that you were the strongest person he’d ever known.

And then, just when you thought you couldn’t take any more, a sharp cry filled the room.

You collapsed back against the pillows, tears streaming down your face as the midwife held up the squirming, wailing baby. Arthur stared, his breath catching in his throat as he took in the tiny, perfect life you had brought into the world.

“It’s a girl,” the midwife announced, her voice warm with pride. Arthur let out a shaky laugh, his hand still gripping yours as he turned to you, his blue eyes shining. “A baby girl,” he repeated, as if the words were foreign to him. “We got ourselves a daughter."

Arthur Morgan had a daughter.

The midwife cleaned the baby quickly before wrapping her in a soft blanket and placing her in your arms. You looked down at the tiny face, your tears mingling with laughter as you marveled at the little life you had created.

Arthur leaned closer, his large hand hovering over the baby’s head as if he was afraid to touch her. But when he finally did, his fingers were impossibly gentle, tracing the curve of the baby’s tiny cheek, then her nose.

As the baby settled in your arms, Arthur stayed close, his presence a steady warmth at your side. The storm raged on outside, but in that little cabin, all was calm. The three of you were together, and for the first time in a long time, Arthur felt like he had something worth fighting for.

-

The morning sun crept through the cracks in the cabin walls, casting golden rays over the small room. The air smelled of wood smoke and fresh pine, mingling with the faint scent of baby powder. Arthur Morgan stood near the hearth, rocking the tiny bundle in his arms with a tenderness that seemed almost out of place for a man of his size and reputation.

He hadn’t slept much the night before—not that he minded. Every sound the baby made, every soft whimper or rustle, had him awake and alert, ready to jump to your side or pick up the little one himself. But now, with you finally getting some well-deserved rest in the small cot across the room, it was just him and his daughter.

“She’s got your nose,” Arthur murmured, his deep voice quiet, as if afraid to break the spell of the moment. He traced a finger gently over her tiny features, marveling at how small and delicate she was. She stirred slightly, her face scrunching up in a way that made his heart ache.

“Already got a temper, huh?” he said with a small chuckle. “Guess that’s from me.”

He settled into the old rocking chair by the fire, cradling her close to his chest. The rhythmic creak of the chair mixed with the soft crackle of the fire, and for a moment, the chaos of the world outside seemed far away. He hummed a low tune, the same one his ma used to sing when he was a boy, his voice rough but steady.

“You’re somethin’ else, y’know that?” he whispered to her. “Didn’t think a man like me deserved somethin’ this good.”

She let out a small sigh, her tiny fist curling against his chest. Arthur stilled, his breath catching. It was the smallest thing, but it felt like the world to him. He hadn’t known he could love anything this much again, not since Isaac and Eliza. But here she was, proving him wrong with every beat of her little heart.

He glanced over at you, still asleep and bundled in blankets. You’d been through so much bringing her into the world, and Arthur had been there every step of the way. He’d held your hand, whispered reassurances in your ear, and wiped the sweat from your brow when you thought you couldn’t do it. And now, watching you sleep peacefully, he felt a surge of gratitude that he couldn’t quite put into words.

“She’s got your strength, too,” Arthur said softly, glancing down at the baby again. “Hope she’s got more of you than me. World could use more like her ma.”

The baby let out a small cry, her face scrunching up again. Arthur’s eyes widened, and he quickly stood, bouncing her gently in his arms. “Alright, alright, easy now,” he murmured, his voice soothing. “What’s the matter, huh? You hungry?”

He walked over to the small table where a clean bottle sat waiting, quickly warming it by the fire. Once it was ready, he settled back into the chair and offered it to her. She latched on immediately, her tiny lips working with determination. Arthur couldn’t help but laugh softly, his eyes crinkling with affection.

“There you go,” he said. “Ain’t no need to cry when your pa’s gotcha, huh?”

As she drank, Arthur leaned his head back, staring at the ceiling. His mind wandered, thinking of everything he’d done, every bad choice he’d made, every road that had led him here. He wasn’t a good man—not by a long shot—but holding her, he wanted to try. For you. For her.

When she finished, he placed the bottle aside and held her up against his shoulder, patting her back gently. “You’re gonna have a good life,” he promised, his voice thick with emotion. “Don’t care what I gotta do. I’m gonna make sure you and your ma are safe. Always.” Arthur couldn't make the same mistake twice.

The baby let out a soft burp, and Arthur chuckled, pressing a kiss to the top of her head. “That’s my girl,” he murmured, settling her back into the crook of his arm.

A soft rustle from the bed caught his attention, and he turned to see you stirring, your eyes fluttering open. You smiled sleepily when you saw him, your gaze drifting to the baby in his arms.

“How’s she doin’?” you asked, your voice still thick with sleep.

Arthur smiled, his expression soft. “She’s perfect. Just like her ma.”

You sat up, stretching before crossing the room to join him. Arthur shifted slightly, making room for you to sit on the arm of the chair. You leaned against him, your head resting on his shoulder as you both gazed down at your daughter.

“She’s gonna have your heart, you know,” you said teasingly, though there was warmth in your voice.

Arthur let out a quiet laugh. “Reckon she already does.”

For a long moment, the three of you sat there together, the fire casting a warm glow over the room. The outside world could wait. Right now, all that mattered was the love shared in that little cabin—Arthur, you, and the tiny miracle cradled in his arms.

[revelboo]

Hey darlin’, I hope you’re doing well!!! Congrats on the 1k!!! Thank you for sharing all your wonderful work!!! If it’s not too big an ask, have you ever considered doing any writing for Swerve??? I’m afraid that lil mech makes me melt and I see a lot of myself in him haha

He’s definitely fun to write

Hangman

IDW Swindle x Reader

• There’s an art to deceiving someone. It’s not in his voice or tone, it’s in finding what they need to believe and taking full advantage. Verbal sleight of hand. And it pays to know what everyone needs, because while he can and will find a buyer anything they desire, it’s information he deals in. Rumors, secrets, and gossip. A lot of it never pans out, but some of it? Sometimes he’s caught completely off guard, like now. Staring at the impossible little human that just blipped into what seems be very painful existence with a choked cry almost in his hands as he’s sorting through inventory. Because apparently that big moron with Krok’s rambling had been true not just his flavor of crazy. Who’d have guessed?

• Eyes streaming as your whole body burns without flames, you’re only dimly aware of falling and hitting something warm. Just curling into yourself, there’s a feeling of pins and needles running through you as you struggle to suck in a breath. What was that? Head lifting slightly, you stare uncomprehendingly at four big cylinders inches from your face, making a noise when they curl toward you and you crane your neck. Because those are hands. And they belong to a monster staring down at you in surprise. There’s no thought beyond getting away, trying to fling yourself out of this thing’s hand. Falling headfirst into a slightly musty smelling mountain of clothes.

• For a tiny thing, you’re surprisingly fast and hard to hold onto. Trying to burrow into his inventory to avoid him, but finally he catches you by a leg and drags you out. Braces for the screaming, but your expression is pure calculation as you twist and try to wiggle free. “Alright, Squishy. Spill. How’d you get on my ship?” Because that’s what he needs. Intel.

• Ship as in space ship? Because this thing gripping you by a leg is definitely not from your planet. You can’t be on his ship. You’d been at work, right? This is definitely not where you’d been only minutes before, though. If big and scary didn’t beam you up, how’d you get here? There’s no time to puzzle it out, because he’s hauling you up by a leg. “Put me down or I’ll lay eggs in you,” you blurt out, feeling like an absolute idiot, because this thing obviously knows about humans. It was human clothes you were rooting through, after all. And that’s what you’d gone with?

• You’re lying to a liar? Lips twitching he vents in amusement. “That so, human? You’re really going to try to con me?” So maybe he doesn’t know that much about actual humans aside from the general squishiness, but he can tell a liar when he sees one. And you’re bad at this. “Try again.”

• Dangling there feeling the blood rushing to your head, you just give up and flip him off with both hands, because if you’re going to die anyway it might as well be with one last petty bit of rebelliousness. And he laughs, nearly dropping you back in the clothes. “You know what? I think we might be able to work together to make a profit,” he says, optics narrowing as his grin widens. Not sure what to make of him or any of this craziness. Then he does drop you into the pile, still laughing as you yelp.

[wafflesrisa]

Oh wait is it a toxic family when the father refuses to take accountability and instead blames the kids for his mistakes? And as a result the kids are unwillingly shoehorned into roles where one is the golden perfectionistic never allowed to criticise the family child, and the other is the black sheep difficult selfish disobedient child?

And the golden child is about to explode because he’s never allowed to have his own opinions and so when he feels real frustration at his father, he can’t land the blame there and so he’s conditioned to blame his sibling instead?

And the black sheep child just takes the criticism and the blame and learns to become overly defensive, because he’s learned no one will watch his back but himself, not even his sibling?

Oh wait it’s not a toxic family.

It’s Scuderia Ferrari

[eloquentlytired]

odysseus. sfw.

logan howlett x fem goddess reader

note: this is basically a circe x odysseus!au but also not moving according to the actual story. I've alternated the ending too. I've always wanted to write logan in such a theme/au so I'm happy that I did. it's short but still feeling satisfied. I also blame Madeline Miller for her amazing writing, just finished reading circe and I cried AGAIN. first tsoa and now circe.

warnings 4 this ?? bittersweet, hurt to comfort, reader is just a girl that's thousands of centuries old, logan is a worn out warrior, he'll never introduce himself in the story btw

“I heard my men came this way, my goddess. I mean no harm or to intrude but to only ask your assistance to find them.” His voice was soothing but raspy. His shoulders sunburned but prideful. Age was evidently catching up to him but he remained as handsome as other mortal men you'd witnessed before, although not plenty. You wondered if he would be any different but then you remembered the nature of all men before him and you mentally shook your head. He was just another pig to be.

You welcomed him to your home and offered him the best hospitality like you did to all of your guests. He ate as he spoke to you about a distant home he was missing, then his wife, and for a while you wondered if having a wife would make him less of a monster. But the men before him surely would have wives too, or loved ones, and if not most of them then some of them. Yet they had still been pigs.

He could sense your hesitation and you could sense his. At some point you noticed that he had not touched his wine — clever man he was. It was the wine that would cause him harm and he somehow knew. He kept twisting the full goblet in his hand without ever drinking from it, his mouth occupied by mere words of his trips and his suffering.

“You have not touched your wine.” You told him and his eyes glinted as he looked at you. He definitely knew.

“My goddess, if you'd allow me to speak honestly.” He said and you offered him a firm nod. You were fearless and he clearly liked that by the way he smiled at you. “My men. You have done something to them,isn't that right?”

A sly smile adored your features and to your surprise his own never disappeared.

“I let them in,fed them and cared for them. Yet they wished to steal from me.” You responded while circling him like a predator. That's what you were — and those stupid men were your prey.

“I have spoiled them. They're all idiots whose judgement has been clouded by the endless war.” The handsome man explained as he stroked his beard, his eyes following your every move. He turned with you as you circled him; as if this was a game. Perhaps it was.

“They are idiots and to that we may agree.” His smile grew at your words and he tilted his head slightly.

“I don't wish to fight you, my goddess. I see no reason to. Do you?” His goblet remained in his hand, untouched and filled to the brim. Despite him toying around with it, the wine never spilled from the cup.

“You knew about the wine.” You suddenly told him.

“And you know about the flower.” He shot back and the two of you exchanged glances longer than any season of time. Your face beamed with energy and warmth while your eyes moved like a prying serpent. His, on the other hand, were cautious but delightful to look at.

“Hermes gave it to you, did he not? And yet you haven't used it against me.” The man's next actions surprised you as he grabbed his satchel and threw it on the stoned floor. The roots of the flower, which was meant to go against you, were visible within the satchel.

You stared at the stranger in disbelief but he smiled again. Almost laughed.

“Like I said, respectful goddess, I see no reason to fight you. It's just not within reason to do so.” His words surprised you even more, how smooth of a talker he was but also how intelligent. Bards would die for this type of inspiration while others would sacrifice whatever for even half of his sentence’s worth. “My men are stupid but they mean no harm. The Trojan war has corrupted their minds but also I, their captain, have failed to properly teach them manners. They're young.” He took a step forward but you didn't cower. He appreciated that.

“Get to your point, mortal.” You said while raising your chin with pride, challenging him with your gaze.

He grinned and his teeth showed. “All I ask is to get my men back. In return, I will offer whatever I can to you.”

You thought about the events unfolded ever since your birth. How little you knew for your age; so old you'd forgotten it yourself. You were the daughter of a Titan, not newborn divinity. You knew what mistakes were better than anyone and you had learned, one way or another, to distinguish good from bad. This man was neither.

And then the agreement was made.

His men were back to their original humane forms and dined happily downstairs, finally at ease. You let them for the sake of the man that had charmed you with his words and brains.

“Our agreement.” That familiar raspy voice called out to you and you turned around, staring at his form on the doorway. He was leaning against it like he'd been here before but it didn't insult you.

He approached you slowly, one step after the other. His face hovered closely over yours as he spoke again. “One kiss.” The man repeated what you'd requested of him that night but before he could complete his pay, you stopped him.

He froze upon feeling your fingers upon his lips and his eyes stared at you — more worried than feared.

“I changed my mind.” You whispered as your fingers caressed his lips, chapped and rough. The man remained still as he listened. “I ,once, turned a girl into a monster for supposedly taking away a man I loved. I don't want to do the action which I punished someone for.”

The man nodded then smiled. “I have not met a woman wiser than you,my lady.”

His words brought a smile to your face, one that wasn't sly or contained hidden meanings. It was simply an act of delight.

“All this just to see her?” You couldn't help but ask, referring to his wife.

“Yes.” He answered with pride, and most importantly love, in his eyes. You dragged your fingers from his lips to his cheek and he leaned into your touch willingly.

“I don't know what that's like. To have a husband that actually loves you. All the men around me were never good to their wives.” You told him and something swirled in his orbs — rage.

“Then they were fools.” He whispered. “Even bigger fools for not treasuring you.”

You buried your face into his neck and he let you. His touch was warm and gentle, one arm hugging your waist while the other cradled the back of your head. The touch was so careful, almost fatherly, and you could not remember the last time someone had treated you so gently. So kindly.

You cried in his arms as he held you until the moonlight shed its final moments.

“I will need a few days to fix our ship—”

“Stay.” You cut him off. “As long as you need."

He nodded while tightening his arms around your smaller frame, his large hand still cradling the back of your head as if trying to ease the thoughts that weighed it down.

No matter what, you would help him and the others get home.

[oatmealdoodles]

I promise I’ll make Murder Drones art but let me get this out of my system

GUYS I AM READY TO MAKE THIS MOVIE MY WHOLE PERSONALITY

Going in I was a bit weary since I did in fact watch the original on broadway, and honestly, it didnt really click for me. Don’t get me wrong I LOVED the story and characters but I just never felt emerged, either due to the theater setting or its break-neck pacing. Luckily this movie works WAY better for me, and thats mostly due to them extending the runtime of act 1 to nearly double its length. We really get to breathe and be with these characters, and surprisingly I never once felt bored it was all so well made and paced.

The biggest concern I had though was that they were going to play down the charm of the original to make it “less broadway” and appeal to broader audiences. Mostly because I watched the new Mean Girls movie be so ashamed of being a musical that it got me worried for the whole genera. Luckily they didn’t they turned the campy charm up to 11, with full group choreography and some insanely creative set designs (Dancing Through Life). Like these are the EXACT VIBES I wanted from this movie.

One of my favorite parts of this movie is actually the production. Specifically the set design and filming, where they actual made almost all of the sets irl. They planted thousands of poppies just for the opening number, they actually made Munchkinland and Shiz, it’s all real. This movie also just looks great (ignoring some lighting) like the colors were POPING OFF the screen colorful especially in the beginning of “What is This Feeling” this movie is a visual treat. They really kept CGI to a minimum (obviously the animals but whatever) in order to pay homage to its theater roots. And it looks absolutely PHENOMINAL huge props to the team on that. Secondly they filmed the singing in direct, meaning no voice overs. And that weirdly didn't sound off at all the singing quality was amazing

that reminds me Cynthia Erivo and Ariana Grande were SO GOOD. They ate, they slayed, they Cooked, they every-other-gen-alpha-term-of-praise-I-can-think-of. Their casting just fits the roles so well with a 110% commitment coming from both of them. Cynthia’s Elpheba might actual be my favorite interpretation of the character I’ve seen. Also the part they added with the original actresses (Idina Menzel and Kristin Chenoweth) interacting with the new ones was maybe the most fan-service thing in this whole movie and I was here for it I gasped in the theater along with my friends.

Like I can’t overstate enough how much I ENJOYED this movie (I guess an essay long Tumblr rant will do) theres just an infectious enthusiasm and passion radiating off the screen. It really feels like a movie made with love, like everyone making this wanted to make it.

I can’t recommend enough that you go watch it if your a fan of musicals or broadway you'll have a ball with this one. 9/10.

[simpforsolas]

So I've seen a some discussion of people both criticizing and defending the DATV companions for being nice to each other. And I think the arguments from both sides are being a little bit misconstrued, which is honestly understandable. I think that often when something bothers us in fiction, it's hard to put into words exactly what it is. So as we try our best to express ourselves, it may not end up getting to the point of what the issue actually is (this is also why it can be tough for writers to properly address criticism - the readers providing the criticism might not be accurately diagnosing the root of the problem, so their attempts to fix it are shallow and don't actually address the issue).

Now I obviously don't speak for everyone, but I do think that a good amount of the people saying they want the DATV crew to be meaner don't actually mean they literally just want people to be rude and insulting each other for no reason. I think it boils down to three things that the new crew was missing:

Inability to really feel how the companion's backstories form their unique worldview

Lack of conflict between companions

Limited relationship dynamics between Rook and the companions

Inability to feel how companion's backstories form their worldview

In previous Dragon Age games, the characters frequently discussed and argued topics of philosophy, faith, politics, and beliefs. They came from all different backgrounds. You had Morrigan, a hedge mage raised to believe in self-preservation, teaming up with an Andrastian circle mage and former templar. Their beliefs and worldviews are, at their core, at odds with each other. The game doesn't necessarily try to make you believe one way or another, it simply drops you into the world and allows you to interact with these character, see their interactions with each other, and draw your own conclusions. In Dragon Age Inquistion, you have Cole, a spirit of compassion, teaming up with Vivienne, who believes the circle teachings that spirits are demons and want to possess people, and Sera, who represents the perspective of the common people that are afraid of all things magical or fade-related. You have Solas, a staunch individualist who believes in freedom for all, Cassandra, a faithful Andrastian who follows her own inner compass even when at odds with the institution of the Chantry, and Iron Bull, a Ben-Hassrath agent who believes in the Qun not because he's a philosopher and has decided that's what works best, but because that's how he was raised and so far, the Qun has worked for him. So in previous Dragon Age titles, you have people whose worldviews and beliefs are fundamentally at odds with each other, and whose actions and dialogues are a direct result of those beliefs. Veilguard really downplayed the importance of religion in Thedas, which isn't necessarily a problem in and of itself. In DA2, the only companion with strong religious beliefs is Sebastian. However, you had Anders who believed strongly in mage liberation, Fenris, who believed strongly in the dangers of magic, and Isabela, whose lack of belief and lack of respect for religion/beliefs led to one of the game's biggest conflicts. Discussion of religion and philosophy was always a huge part of the Dragon Age games, so when they almost entirely removed that element and didn't replace it with other types of belief that could lead to meaningful differences of opinion, we were just left with nothing of substance to really talk about. This isn't saying that the companions don't have things they believe in, but it's just not the same as characters from previous games. In general, their backgrounds don't form a unique worldview that results in differences of opinions and interesting conflict. Which brings my to my next point:

Lack of conflict between companions

There's a huge spectrum between "everyone is friends and always gets along" and "everyone hates each other and is happy when their ally is sold into slavery." In fact, fans often get really into fictional relationships that have quite a bit of conflict. Speaking for myself, I love relationships where two people may fight or disagree, but they truly care for one another and would willingly put themselves in harm's way to protect one another. So I think when a lot of people say the companions get along too well, they don't necessarily mean that they want them to all hate each other (maybe some do). They mean that they just want there to be interesting interpersonal conflicts. (I personally would love for a companion pair to argue a lot, but when it comes down to it, they actually really care about each other) Why do we want this? Well first, conflict just makes things more interesting. But I think that it also ties into point 1. In this game, the companions simply don't seem passionate enough about what they believe to argue for it, or, if they are, there's not anyone who challenges their beliefs and forces them to defend their position. I would say that Emmrich is very passionate about his love for spirits and necromancy, two things which are seen as weird and dangerous by most people in Thedas. However, there's almost no chance for him to passionately argue for his worldview because no one challenges it. There is that one scene with Taash finding his passion for working with the dead creepy, but as soon as the issue comes up, it's resolved. Compare that to Solas, where a big part of his characterization is love for spirits and frustration with fear and ignorance leading people to discriminate against what they don't understand. Having to face opposition to his beliefs, both in the world and within the inquisitor's inner circle (and sometimes the inquisitor themself), gives the writers the opportunities to emphasize core parts of his characterization.

On a final note for this section, it's just more interesting when different pairs of companions have unique relationships with each other. Solas and Cole's wholesome, mostly conflict-free friendship is made sweeter because you can compare it to Solas and Sera's relationship. It makes the relationships more meaningful when you can contrast it to how those same people click or don't click with other companions.

Limited relationship dynamics with Rook

The final issue I want to talk about is how all this ties into Rook. In previous games, you could learn a lot about a character's beliefs by seeing what they approved and didn't approve of. Anders approves of supporting mages, Fenris doesn't. Leliana approves of compassion for strangers, Morrigan doesn't because why should she help people who can't help themselves, and also it's a waste of time. Cole greatly approves of helping people, Solas slightly approves of you asking questions, Cassandra approves of expressing belief in the Maker, and so forth and so on. Then depending on the choices you make, your approval actually makes a difference in how these companions view you as their leader. But in Veilguard... well either the companions don't have strong feelings about things, or Rook isn't allowed to make decisions that oppose the beliefs they do have. Because of this, there's basically no conflict between Rook and the team. From my understanding, worst relationship you can get with the team is "distant boss whose employees don't invite them to their work parties," but that's not the same as Cassandra hating you so much she gets drunk or getting specific rival scenes like in DA2 where companions react entirely differently because Hawke consistently acted in opposition to their beliefs.

Final thoughts

So when people criticize the companions not getting along, I think it's less to do with the fact that people want them to hate each other, and more to do with the fact that we want companions who have a strong worldview shaped by their backstory, and for that worldview being challenged to lead to interesting conflict. Whether that challenge comes from other companions, the world, or Rook themself, I don't care - I just want interesting and meaningful conflict that is arises because the companions are strong characters who believe in something.

[lemon-russ]

We're in too deep now. I'm dragging you all down with me.

Short today!

Mortarion x F!Reader (Pt. 4? 3rd prequel?? )

Previous

CW: Nothing sexual, but like. It's a little dehumanizing.

TAGS (you're all coming down with me, hand in unlovable hand): @sleepyfan-blog @undeaddream @scriberye @lisikk @moodymisty

You stare down at the bowl of what is apparently food. It was unlike anything you’d eaten at home, or what you had been eating since being brought aboard the Endurance.

“Why do you hesitate?” Mortarion asks in his deep, wheezing voice. He had just come back and taken off his gas rebreather, something he only did around you so you could understand him better, you learned. After his initial coughing fit had subsided, he’d put this bowl in front of you expectantly.

You scrunch your brow and look back at the bowl. It had something fluffy and white, on top of something that looked sort of like bread. It smelled unfamiliar, yeasty but oily.

“What… is it?” You ask, touching the white fluff carefully. It seems a little sticky, and mostly made of air.

Mortarion wheezes a little cough as he goes about taking off his gas canisters and weapons. “It’s a pastry. The planet I was just on had a bakery. I assumed, seemingly correctly, you’d never tasted it.” He pulls his hood back and runs a large hand through his hair, sitting on the edge of his bed to watch you. “Go on, try it.”

You grimace, scooping up some of the fluff on your finger and hesitantly sticking it in your mouth.

The overwhelming sweetness makes you cough. It feel like it is coating every surface of your mouth and throat in cloying sugar. You try not to gag, coughing through the way it burns your throat. “Why-” you gasp, “why is it so sweet-?”

Mortarion furrows his brow, shuffling over to hand you your water. “You don’t like it?” He asks, voice tinged with dissapointment.

You take the bottle and chug, thankfully the water easing the overwhelming taste. “It’s like the root sugars we used to make holiday sweets, but tripled…”

Mortarion frowns. “Ah. It is too much then. We will build your tolerance. Baselines love sweets. Here-” he comes to kneel beside you with some effort, grunting as he eases down to his knees. “Eat just this part.”

He tears off a piece of the bread and holds it up to your face. You reach to take the bread from his fingers, but he pulls his hand back.

“No-” he says quickly, then stops himself and glances away. “Just… let me.” He grumbles.

Your brow knits. “Oh, um… okay…”

Mortarion has some weird demands from you sometimes- sleep on the floor, don’t leave his room, greet him when he comes back- but you were learning arguing got you nowhere. He always just tells you to not talk back, or not to question him, or because he says so. None have been anything worth fighting over, so you have been questioning less and less.

He holds the bread back out to you, and you open your mouth for him to feed you. Mortarion’s face twitches into an unfamiliar expression as he looks down at you, kneeling before him with mouth open expectantly, but he shakes it off and places the pastry in your mouth.

This part is much less sweet thankfully. It is actually really tasty. Rich and oily and just sweet enough, and the bread was fluffy and chewy. You smile up at him as you swallow. “Oh, I like that part!” You proclaim happily.

He blinks a few times down at you, then smiles a little, his cracked skin protesting at the rare expression. “Hmmm.” He grumbles. “I haven’t seen you smile like that before…” he says almost to himself.

You quirk your head to the side curiously. You haven’t exactly been thrilled with your new situation, you suppose. You weren’t miserable, but it was mostly just confusing and boring. Though you’ve been warming up to it. The plush toys, pillows and blankets were an improvement from your bed at home, and you got three hearty meals a day of some sort of porridge. You didn’t mind not having to work fields, and when he wasn’t being cryptic or talking about strange alien things, your new master was at least kind to you, in his own way. Asking about your comfort, offering you things to do, telling you about new things.

You smile again, making him smile back a little wider. “Can I have more?” You ask.

He chuckles, which turns into a small raspy cough. “Of course, here,” he tears off and holds more pastry up to your mouth. “Eat, pet. You’re too thin for a mortal, anyway.”

You bite another piece off from his hand, smiling back up at him. “Wha’s a ‘pet’?” You ask with your mouth full.

He chuckles again, wiping some of the white fluff off the tip of your nose. “Don’t worry about that. Eat.” He says in a tone completely new to you from his mouth- he almost sounded affectionate.

[xxventiswindblumexx]

Yandere Venti being jealous of Zhongli because Darling is in love with him and him only see Venti as "cute" and "adorable" see's Venti as a little brother not at all she's attracted Darling is simply memorized by Zhongli ((who could blame her))

Who could?? I couldn't 😌

Shout out to my bestie for keeping me motivated!

⚠WARNING⚠:Yandere tendacies, non-con, unprotected sex

The warm breeze of Mondstadt’s early spring filled the air, carrying the delicate aroma of blooming dandelions. You stood at the edge of Windrise, the towering oak tree casting a playful shadow over your figure. Venti sat perched on one of its sprawling roots, his lyre resting lazily in his lap. The soft hum of a tune died on his lips as you spoke, your voice tinged with excitement.

“Zhongli is incredible, don’t you think? He has this timeless wisdom... and the way he speaks—it’s like poetry in motion.” You smiled, your eyes distant as though picturing the Liyue Archon right there before you.

Venti’s fingers froze mid-strum. His usually carefree expression faltered for just a moment, but you didn’t notice.

“Ah, yes,” he said, forcing a laugh that came out a little too light. “Old man Zhongli... He certainly has a way with words. Probably from all those centuries of rehearsing.”

You chuckled, taking his comment as harmless jest. “Dont be so mean,” you replied, playfully nudging him. “Besides, I find his company really comforting—like he understands things on a deeper level.”

Something in Venti’s gaze shifted, the glimmer of mischief fading into something darker. He tilted his head, the playful breeze that always seemed to follow him growing still. “And what about my company?” he asked, his voice softer now.

You blinked, turning to look at him properly. “Yours?”

“Yes,” he said, his teal eyes locking onto yours. There was something unnervingly intense about his stare, like he was trying to read every thought in your mind. “Do you find my company comforting?”

“Of course I do,” you replied, brushing it off with a smile. “But it’s different. You’re like a little brother to me, Venti. I know I can always count on you to make me laugh when I’m feeling down.”

The words landed like shards of glass. Venti’s smile remained, but his grip on the lyre tightened until his knuckles turned white. A little brother.

The breeze stirred again, colder this time, wrapping around you like a warning. Venti’s voice was light as he said, “I see. It’s good to know how you see me, Y/N.”

There was something unnerving in the way he said your name, the casual affection you were so used to tinged with something sharper. But before you could reply, he sprang to his feet, his cheerful façade slipping back into place.

“Well then! Shall we return to Mondstadt?” He beamed, slinging the lyre over his back. “The taverns won’t empty themselves!”

You hesitated but nodded, brushing off the odd tension as nothing more than your imagination. Yet, as you walked ahead, Venti lingered behind, his gaze fixed on you with a mix of longing and possessiveness.

‘..She likes Zhongli..’ the thought repeated in his mind like a haunting melody. His carefree smile faltered for a moment, replaced by a shadowed scowl. But that’s okay... I’ll show her just how much better I can be.

As you and him returned to the town of Mondstadt he wanted to show you something ‘special’ making you laugh “oh? Sure what do you got in mind?” He would only giggle as he lead you to and up the statue of his, making you nervous since it is high up.

It was when you wasn't looking he approched, just as quick and quiet as the wind

“You love me right Y/N?” He asked sweetly before pushing you on your back against the hands of the statue, making your race race as he pine you down.

"Baby, I’d play my lyre until my fingers bled if it made you smile. Now, tell me—would you bleed for me?" He spoke in such a sweet tone as if this was a romantic evening yet it was far from it. He didn't wait for you to answer

“of course you would, my windblume, precious Y/N..no more speak of that.. Old lizard” still stinging at his heart

"Why let his name linger on your lips, my windblume? Am I not the only melody you need to sing?" His free hand downs while the other held your wrists as you struggled

“Venti- what-” “shhh don't speak, I'm the archon here~” with that you felt your lips become dry and couldn't speak as if he commanded your voice to be taken.

His soft but cold hand pulls and rips at your clothing, discarding them on an unsuspecting mondstadter walking late night.

His thumb rolls over her nipples wanting them to perk up, a sick but sly smile plays on his lips “so soft.. And so sweet too, as I expect from my windblume~” his lips connect with your breast, licking and swirling his tongue around it before biting it making you squirm.

Slowly his hand made its way down to your pussy, feeling and rubbing the slit, wanting to create more slick, after all it'll be harsh to go in dry.

“Go on my windblume, show me how much you love me~” pulling his already hardened and twitching cock out he rubbed it against her growing slick, making the head occasionally pop in before slipping back out with a slight whimper, he couldn't help himself he's been dreaming of this. As he presses the tip against your wet hole you squirm and try to speak but nothing comes out as he giggles

“Too late~” before pushing into you, pushing all the way to his hips, savoring the feeling with a beautiful moan he starts to rock his hips. As his hips start to buck faster you could see his elemental marks glow as he couldn't help but drool.

"Please, my windblume, say it—say you love me. I need to hear it, need to feel it. Tell me I’m the only one in your heart, or I might just break without you." He pants and moans out as he held your wrists with a tight grip, for getting his spell he out on, it didn't matter, he couldn't hold back his ‘love's for you, his cock twitching delightfully before gushing cum into your womb, his hips stayed against yours as he held you in a loving embrace, whispering bittersweet promises to you

“Even if the winds carry you far, I’ll follow, no matter where you go. Even if it hurts us both, I’ll never let you go."

[joffyworld]

Shamura -

They of Knowledge and War

It's hard to remember much these days.

Often it's impossible to remember anything at all,

To recall the finer details and find my way;

It's as if I've been entangled in a darkened red shawl:

I can see beyond the darkness in glimpses of authenticity,

I can reach past the madness and almost touch what has now been repealed.

But there remains a thin veil between myself and the truth;

It feels insurmountable as I fall into my minds' obscurity.

Godly ichor seeps out of the wound naught can yet heal,

I sit there and watch it drip down till they come with more news

Were my past machinations truly mine or those of fate?

It's increasingly difficult to make it back from the fall.

Do I deserve these conditions for living a life full of hate?

I know those who claim to be my siblings don't deserve a life that's so cruel.

Even if I recover what awaits? A world of stability?

Can such a world, with us in it, even be real?

Every day I awake is a veritable who's who.

Did the past-me ever imagine a life of such vulnerability?

Are these the consequences of taking actions guided with zeal?

I see strange faces come and go, they mutter "we love you"

When I gave the order, was I at all even phased?

It seems so out of character, so unusual.

They tell me it was desperation that changed how I behaved;

But would a God of Knowledge really resort to adding to the fire more fuel?

Was it just of us to punish curiosity?

Was it righteous of us to tell our brother to kneel?

It didn't feel correct to leave a sibling askew.

When we plunged the chains through his limbs in this violent atrocity,

Did any of us leave room to heal?

Or had we already broken through the time to heal and break through to you?

Now when I close my eyes I see a void-white gate,

Standing at the end of a long, dark hall.

Traversing the barrier I spy a long-hewn lake,

I bellow loudly to its occupant, but they never hear my call.

I see my voice extend, almost physically, with such velocity.

But it quickly recoils, and is brought to its heel.

It was you whom I had called to,

You, my brother the Lord of Death and magnanimity.

I remember once you heard my voice, I watched it make you reel,

I suppose the voice you least expect is that which has betrayed you.

As I heal slowly all that's left is to ruminate,

Reflect on the ways in which I failed my thrall.

It drives me ever closer to the madness that consumes and degenerates:

Across my mind does it sprawl, a slaughter-hall of the attentive and philosophical.

That which once saw every angle and possibility has ultimately been replaced by this vacant unpredictability.

The madness has caused my brain to slowly allow the crown to congeal.

The crown's influence spreads with its purple-hazed hue,

The cue to allow the crown to finally take responsibility, to be rid of the me that was me and become without humility,

I can feel myself slipping away, until all I can recall is the ordeal;

The ordeal that took you.

I remember walking up to those ivory arches and the cacophony of silence that followed. The wave of the trees from the wind, the exposed roots struggling against the combatant wind at every turn of their opponent.

I remember the darkness filling the air where once there stood nothing, blackened tar swirling with vitriol at every second it hung so loosely in our world. The almost viscous substance that materialised in an instant, and seemed so eager to disappear as quickly as it had come.

I remember the eyes that peered down and gazed upon the windows of my soul with unknowable intent. How they scanned every detail of my form, how they analyzed without repent every single finite piece of me as though I were a piece of discarded art, thrown away by its creator, then remembered and gazed upon once more for its flaws, not its graces.

For long there was silence, glares exchanged and stances readied. Longer still was the time that passed, every second felt an hour, every minute felt a day, yet little passed at all but a matter of minutes in the days stead.

Then it spoke, measured, calm, poised:

"Son of Sun, God of War, God of Knowledge that you are. We beseech you listen closely, for your foes they closely are. They tread and thread within your web so take caution when you spin. The conspiracy lies deep inside, and you are deep within. Illusions of your safety work vice versa with yourself. Take heart in what companions you trust deeply with your wealth. There lies only one within the five that you should dare to question. You mistrust and pray that that's enough but irony's your predilection. There will come a day where you will say, that you had known for better. You will dull the pain with maddened songs that tell of your grief's measure.

Make your choice, They of War, but pray caution when you move. It is time to right your wrongs,

Just make sure your wrongs don't right you."